sebastian lutz has accrued a huge fan base amongst the crème de la creme: after releases on do easy records, bcb techno, suchtreflex and boug.records, he has won huge support from the likes of carl craig, dubfire, loco dice, karotte and laurent garnier. his track >i m tellin u< has also been chosen by baba sven väth for cocoons >sound of the 10th season< ibiza mix compilation.
now he is hitting up paso music with another dance-floor rocker entitled >the alchemist<. a tune that has already seen chart action from tiefschwarz some months before the official release date. we can expect big things from this track!
>the alchemist< a slow burner, but one that will have you swaying into the early hours. echo-filled and marked by an aqueous harmony, its is without doubt, a winner. two superbly fresh remixes are also presented by tolga fidan and marc miroir. both guaranteed to pleasure both your ears and feet.

following the intricate alleys down in the shattered underworld, molar module and emad parandian rejoin under harsh neon light to share haknams third vinyl.
>kifarasi< on the a-side by molar module offers absorbing percussion underlined with ambient echospaces, industrial patterns and a propulsive bass.
the b-side >arezou< by emad parandian combines dulled nautical atmospheres, crackly analogue percussions in deep symbiosis with energetic solid drums that densify space. mysterious vocals seem like a relict of ancient times.
truly a hearty third release that etches elaborate details into the outline of haknam.

triple visions flagship label planet rhythm is going on strong with another blasting techno release. a.paul is next in line releasing for the planet under his other famous alter ego: loudon kleer which he uses for his releases on labels like parallel 125 records, synewave and dirty ego records to name just a few. while his a.paul releases are strictly banging releases for the dancefloor, loudon kleer takes us into the darkside of his mind. although he takes you straight into the dungeons of techno, in de dungeons they also like to dance. the crazy funky edits and shuffles into the beats make sure the feet will move according the rhythm. yes planet rhythm is fully ruling the scene like we used to and get ready for more strictly techno soon!

die k©pfe der indie-rock band aus brooklyn/new york spielten bereits bei den legendºren bands texas is the reason & samiam. als gast fungiert ian love, ex-gitarrist von rival schools. produziert hat das album collin jordan.
pressung auf blauem vinyl, inklusive cd-version des albums.

be prepared to be wowed, as crosstown rebels deliver a serious slice of hot new music from new talent russ yallop aka rusty james. >i cant wait< and >rock me< are two infectious cuts with massive appeal. combining the magnetism of disco with the raw energy of contemporary house music, russ yallop produces a fresh take on a trusted formula. a side >i cant wait< is unforgettable for its contagious bassline, flirtatious vocal cries, cosmological synths and perpetual breakdowns. with just as much appeal and even more originality, b side >rock me< leans on funk laden stabs chopped into sonic grooves and humming vocals, drawing towards a beautiful, driving climax that rocks like a mutha

glaswegian producer, label owner and globe trotting dj graeme clark, aka the revenge, takes on holy ghost!s >say my name< – a song from the duos ep static on the wire that, in its original incarnation, is a lovely, smooth slice of electronic pop. the revenge re-models the single three times over, into a trio of distinct remixes all bearing his unmistakable signature. first up on the vinyl 12inch is the revenge remix, which starts out like a hollowed-out, hall-of-echoes version of its predecessor and then grows – bit by bit and synth by syth – into a gorgeous swirl. on the revenge instrumental, clark ups the disco ante, removing the vocal melody and replacing it with elements equally as compelling: a classic beat, synthesized strings, double handclaps, and an essential electric bassline

berlin-based markus schatz is no stranger to cargo edition. in 2009 he released his first ep >drippin< on this leipzig-based label. this track has since found its way into the sets of numerous well-known djs. markus schatz recently passed his certification exam qualifying him as a professional sound technician, an excellent reason to celebrate with a new release. his latest album for the leipzig-based cargo edition label contains 5 tracks, all of which perfectly reflect the unique charm of markus schatz. the tracks are deep, yet excellent for deejaying and go far beyond the ordinary dj tools. schatz collaborated with markus homm on two of the ep tracks - >i need< and the digitally available >feels like home<. the two artists met as labelmates on the berlin-based label highgrade, on which both have been releasing albums for quite some time.
luciano (cadenza): cargo edition is a great label, probably one of the most quality dance music.. full support!

hot on the heels of the recent greg wilson/ray mang edits paper recordings have enlisted the remixes talents of two further hot acts in the form of faze action and brennan green.
first up we have faze actions re-edit of >drop your weapon<, a rolling and bouncing slice of funk laden modern disco that uses the distinctive guitar licks from the original and drops layers of bass, pads and drums to create an instant anthem!
on the flip we have the superb brennan green who takes >3 play it cool< and develops it into a loopy and percussive deep house masterclass, using subtle melodies and taut yet organic sounding drums. this is perfect late night tackle and provides a perfect counterpart to the upbeat disco stylings of the a side, wonderful stuff.

moguai returns after the huge success of his album >we ar lyve< with a reworking of his track >oyster< complete with a michael woods remix. moguais new tougher >lyve at brixton< version of oyster has taken it into new territory, with peak time smash written all over it, he works and builds up his signature synths superbly into a release of pure driving tech for your listening pleasure. you know when michael woods is on remix duty you are guaranteed an absolute banger and keeping to that trend, in true michael woods fashion he takes the original and transforms it into another main room hit. i hope you all enjoy another amazing release from mau5trap..

ltd warehouse found! today we unleash upon the masses our second vinyl record >australia ep< by our dear friends easy changes! the duo is known for their creative minimalistic style with lots of field recordings mashed up into funky rhythms. yet again they continue to provide their unique symbiosis of rhythmical patterns with the world of mysterious sounds and dark moods. the core of their music has continued progression, like a story being told with multiple scenarios between the past, present and future life. traveling and touring has influenced the artists and gave them lots of inspiration, which keeps coming back in the beautiful form of music.

well here it is folks, the brand new debut release and label from glenn wilson & mattias fridell. two production perfect works of solid chunky techno with fat vibes aimed at the big floors, both cuts lay down some serious bass heavy hypnotic grooves, pushed along by strong atmospheric sounds. these tracks are no doubt going to be a popular addition to the dance floor and are already receiving big reviews.. no more ghosts is tonal paths second release and the follow up to the debut release the bridge, which received big reviews and heavy rotation from some of the following cari lekebusch, a.paul, adam jay, dj misjah, mike humphries and ben long. no more ghosts lays down two more fat slabs of production perfect techno to conquer the big floors, kicking of with be yourself which is a dark throbbing workout of bass heavy hypnotic grooves which is fast becoming the id sound for tonal path. false sequences progressive layers works and builds into a heavy grinding atmospheric track with a killer break that slams back in for max crowd pleasure.

leonel castillo is undoubtedly argentinas most gifted producer. while his releases remain extremely rare, his daily creations keep adding and adding onto the thousands of tracks he produced over the past 20 years. on this very special artist ep - leonel castillo, the great engineer, sets some intricate and complex rhythmics in motion, forging el salon de los espejos into a highly feverish hotbox of a record. get this right: no other man can develop such elaborate and throbbing patterns as he does. from his lucious grooves featured on sushitech, to the stripped aesthetics as heard on illian tape or even the dubby techno textures from his record last year on greener - needless to say, leonel covers a wide and complete musical range.

monsieur guillaume berroyer — the infamous ark — recently underwent a sort of sea change in both his artistic and personal life. anyone following his career with even a passing interest knows of his long resume (collabs with pepe bradock and cabanne, dolibox, mika weill, releases on brif, karat, circus company, perlon…) and has heard tales of the studio fire and the creative energy shift and all of the stories associated with his frenzied live performances and dj gigs. great stories are fun and build mystique, but as most heads know the music more than measures up to the legend. his recent >arkpocalypse now< full-length showed a matured craftsman that is not so much waxing introspective as he is distilling his signature sound into something manageable enough to truly adapt to all of his musical tastes.

>amigo< is the sound of friendly nature – deeply rooted in the music of latin america, and at the same incorporating latest recording technologies, this is the music for both extensive club use and advanced home listening. few minutes into its gentle, shimmering aura – and it becomes clear that this is the final and most perfect record of any latino-techno artist. submerged in warm, mid-tempo percussion arrangements, piers tracks leave a lot of room to breathe and let go of ones imagination – forming a soundtrack to virtually any activity an open mind can undertake.

new kanada presents a collection of superbly deep and tight emo house tracks by seuil. all three cuts here are made for the long mix, blending elements of classic house, deep techno and random dopeness into a very modern whole. >nine clouds< is a classic slow-acid burner with a long broken intro that unfolds into deep space. 93 hardcore meets global communication. >blank love< is a hazy delicate jacker with long noise echoes, an elastic lead and dripping steel drums … >lonely place< is drifting so far out, its almost gone … sublime and mellow, old and new … serious 10am vibe on this one.

turbo proudly presents terence fixmers >epsilon<, two no-nonsense techno tracks by a french ebm and electro legend quickly making a name for himself as one of the new mega-producers in the techno arena.
>epsilon< comes as a follow-up to fixmers fourth studio album >comedy of menace<, released this month on speedy js electric deluxe. it showcases fixmers refined style of big-room, percussion driven techno, while maintaining the hypnotic synthlines and industrial touch familiar to fans of his impressive 15+ year career.
complimented by a strange and beautiful remix by turbos glaswegian phenom, sei a, >epsilon< is an ep with which we venture deeper into the groove of pure techno.

very soulful deep house , incl kez ym remix (well known from yore records)

second of 3 volumes taken from the incredibly rare japan only cd release inner films 70 from 2009. the sketch is simple, modern dance artists take on seminal film scores from the 70s and give them a twist. kicking of with maurice fultons eerie and quite frankly disturbed version of jaws (main title), next shigeru tanabu takes on star wars! on the b side brisha steers ninth symphony… (from clockwork orange) into deep techno territory, while finally godfather (love film) gets a deep paddy house overhaul by yukihiro fukutomi (mule musiq).

here we have yet another vinyl release to supplement the highly anticipated cos/mes album. while the first three singles boasted massive a-sides backed with incredible remixes, this release contains two exquisite album cuts deserving their own slab of vinyl. natural lifespan (acid orchestra mix) is a slice of pure bliss, a mid-tempo jam to which you can hug your friends as the sun rises. on the flip, i-bizan (build the progressive band) rides a stomping and tainted rhythm into a dark den of iniquity. pass the lotion

tornado wallace has had a great 12 months following his debut release paddlin on delusions put him firmly on the map of heavyweight young producers to watch. subsequent remixes for home taping is killing music, future classic and detroit label kolour have pushed him further to the forefront of deep and dubby slomo house scene. always twirling spins into action with driving 16th note hats, compressed pads and soaring strings. 808 snare fills rattle throughout and a warm, dubby bassline provides the speaker-troubling low end. twirl and the beanstalk goes for a more heads down, bare beats and bass approach resulting in an intense, floor friendly track that grooves extra hard. finally, we have whispering twirl, a sumptuous slice of midtempo deepness with a hint of boogie and a dash of soul

first of 3 volumes taken from the incredibly rare japan only cd release inner films 70 from 2009. the sketch is simple, modern disco artists take on seminal film scores from the 70s and give them a twist. first we have norweigan disco wizard prins thomass take on the theme from rocky – gonna fly now. all live instrumentation… thisll rock your socks off. on the flip japanese artist foog (mule musiq) gives the theme from close encounters of the third kind a new lick of paint, while fellow japanese sonic adventurer hideo kobayashi (apt. international / bite grooves) turns rhapsody in blue into a tech-y workout.

be prepared. this record definetly bringing back some dirt, samples and emotions into todays house music. limited edition as usual…

it has been the sweetness and warmth of the city of hamburg, its delightful venues such as the golden pudel club and smallville parties at ego that made him diving into deepest music. after >ne travaillez jamais< became the favorite track of all smallville and dial djs and rau played on one of those magic nights the idea of an album was born. the plan was as simple and lovely as the music on asper clouds is. here comes the sun.

as anyone will know, dub police is one of the dubstep scenes leading labels, having helped launch the careers of artists like caspa and rusko into the dance music stratosphere. the labels ethos has always been about giving the next generation a step up and the next wave of superstar producers has arrived as the dub police war machine continue to roll ever onward towards world domination. trolley snatcha is the latest artist to receive the dub police stamp of approval with his diverse four-tracker the >one trick pony< ep. proving that he is anything but, trolley turns out a selection of tunes that display a mature and open-minded approach to dubstep. from the ear-battering trolley trademarks that litter >pass me by< and >roccos revenge< to the smoothed out bliss of >always on my mind< and the light techno touches of >we go deep<, this ep will grab the attention of anyone with a keen ear for quality music.
dj support: caspa, rusko, skream, the others and benga.

new yorks elon provides metroline with yet another very fine release. clap back is a real gem. the original mix has a beautiful spacious and airy mix that allows the echo-soaked toms and the swirling vox stabs to breathe, and they really draw you in. an insistent bass pulse provides a structure for the snappy post-garage percussion to build into a lurching, lunging rhythm. very original, and very infectious. ekkohaus remix is a focused, driving deep house groove, shaped around lush, rounded stabs and heavily-filtered synths. claps and snare emerge from the beautifully balanced mix to give the track a real disco kick. the third track on the ep zero gravity has a more back-to-basics feel. the bassline is dubby, but the percussion has a classic french touch feel that gives the track real movement. a rhodes-like synth line wraps itself round the track like a warm fuzzy blanket. maximum comfort for house heads.

after several releases on mathematics as contra communem opinionem, cco presents his latest release on the promising new label lux rec. with his impressive ep the secret life of a transistor bassline cco proves us once again his ability to space out and rock hard at the same time. what more do you need? this journey starts off in the sewers of a miserable city on the western hemisphere and takes us higher until we freely float in space. as we move at the speed of light but with no perception of time, we eventually land on planet venus. this is where jack inserts his pleasure plug into the acid machine and sets off a dirty romp. in our quest for the secrets of life, we thereafter push boundaries further and explore even far away galaxies. always bearing in mind the infinity of time and space.

stanislav sevostyanikhin returns under his kontext guise with four tracks of tightest dubtech minimalism on immerse. these are his first konext productions since the impressive >dissociate< album, continuing a trajectory into widescreen dub techno and clipped, post-dubstep rhythm programming. >no more room in hell< combines the luscious atmospheres of pendle coven or bvdub with subtle glitching rhythms, while >daphnia pulex< adds glassy electronic melodies and padded subs to the equation. most interesting of all is >sattva<, rolling raga drones into his morphing dub chords and crafty future garage stabs, kinda like pole meets farben on a dusky autumnal evening. if you ever wanted a more reduced ramadanman, or a glitchier appleblim, this is well worth checking...

first on decks.de !!!a fancy franco-german remix session full of thriving techno pleasure. oui oui!
a1: rejdowak (from karaoke to stardom remix) well known french fellow from karaoke to stardom digs in the depth of electronic mystery by designing complex rhythmic sound patterns carried by, well… a pretty dominant bassline! what else do we need?
a2: rejdowak (freak de philipe vs parasit remix) light-hearted pounding techno attitude with a humorous slightly ironic touch, this implements a wise smile on the faces of true electronic music enthusiasts.
b: fm melodie in e-moll (kettenkarussell notbremsen remix) kettenkarussell from weimar manage the impossible: completely transforming >melodie in e-moll< by neal white while at the same time keeping much of its spirit. they create an elegant and gentle groove which smoothly seem to transform into a hip-hop beat. well, thats not the end of the story! experimental and extraordinary.

the new release from wigflex is a showcase for hizatron, one of most exciting and forward-thinking producers in spam chop s nottingham crew and, like a rave-up in a haunted house, it s dark, loud and batshit insane. executive ball scratcher is jinky and elegant until it explodes into a million glittering pieces of shimmering alien melody-box noise. at all times the insistent, pulsing beats and the thick bass stabs keep the track firmly rooted on the dancefloor, whilst its eyes and fingers lift to the stars. on >klonndyke final<, layers of battling, aggressive, organic percussion pave the way for a dirty, banging bassline and morphing, insane synth lines. constantly building, on the move and entirely unpredictable. a synth line evoking classic techno of the past is messed with on >telescope dope<, like a child melting a slug with his magnifying glass until all that remains is a scattered and horrific sludge. pummeling beats bring it together, creating a hypnotic and terrifying finale. with this release hizatron stakes a claim as one of the brightest young things in the uk electronic dance scene. with its shifting, exploratory layers of melody, thick bass and complex beats, the ep further blurs the lines between house, techno and dubstep, combining moments of iridescent beauty with raw, guttural power. a record for headphone enthusiasts and dancefloor paragons alike. watch out.

emerging from afternoon studio sessions, the final scores, too many beers and then nights in an upstairs room at their local boozer, discomendments aka lee fisher (of mother >all funked up< fame) and paul kaminski have developed into a fine production unit who are into anything and everything. having started out cutting and pasting edits for their own dj use, they are now focusing on original productions that fuse different styles and genres from past to present. sleeping giant, their debut release on maxi discs, borrows unashamedly from the early network house sound, but fuses it perfectly with contemporary slo-mo house, disco and balearic vibes. whether on the beach or in the basement, the discomendments sound is equally at home! on the flip side, maxi label boss, pete herbert, turns up the heat and reworks the original into a dancefloor bomb. while disco deviant dicky trisco keeps his eye firmly on the mirror ball with a lo-slung ny influenced workout. listening to the sounds of maxi discs is guaranteed to release the pressure

materializing next is from the mind of belgian producer franco cangelli. techno tunes from oblivion transmitted into this dimension by franco. yes, expanding the palette of machining dreams sound with some banging waveforms for your enjoyment. cangelli delivers the embrace ep, a 3track deep techno release with sweet, elegant pads and chords crafted for the deeper and intenser moments on the dancefloor

nice price deal !!! support from: sinden, mary anne hobbs, 2562, martin kemp.... the one man hit-factory that is t. williams returns to deep teknologi records with another concise snapshot of the uk underground house scene with a barrage of intricate ammunition for the dancefloor. lead single >chop & screw< marches along with its broken beat-esque drum pattern and balearic sirens whilst >hard cash< is a foray into the deeper side of the s.a house scene with exquisite sublow bassline progression and raw percussive tribal drums that really take centre-stage. the e.p. finishes off with a firm favourite from the deep teknologi mix series in the shape of >in the deep<, an after hours roller with a devasting drop and stern low-end to boot

randalls mac 2 recordings showcases another banging release with the return of fast moving breakthrough artist soul intent. having all ready featured on the label on the 17th release back in 2008 and on the recent justice league ep soul intent returns once again to show us how rolling drum n bass should be done. the a side >rebel music< punches through with razor sharp breaks that bring the track to some seriously sub low basslines. haunting vocals lead through the track introducing some seriously deep fx and strings that make this track one stone cold killer. the flip >cybergroove< makes for a more upbeat affair but certainly shows soul intents versatility as an artist. percussion lead breaks and some haunting strings cut into a bassline that punches its way throughout the track before cutting into a fx lead breakdown. dj support from : randall, ai, klute, doc scott, survival, fabio, crissy criss and eveson radio ? bbc 1xtra and kool fm

gavins mix has proven such a favorite, in fact, that it sent populette back into the studio to refine the original so they stand beside one another better.we can think of no greater compliment than that!

this is the first single from dops rollicking greatest hits album is your personal teleportation device into their unique musical universe located in a parallel dimension somewhere between the disco and the drunk tank.

god bless you, lovers of analog basslines, jackin techno, mascarpone and chianti: discodeine are back. after 3 acclaimed eps, numerous remix proposals turned down, a few months spent on a butch basement working on their album, pilooski and pentile delivers a perfect summer anthem called singular, featuring the infamous matias aguayo on vocals. its a fine line (aka ivan smagghe and tim paris) provides one of their fantastic train fantome remixes while institube wonderkid das glow turns the track into an underage drive by shooting at eurodisney. pilooski provides the cherry on top with an exoticore-tropical edit of falkenberg (another gem from the forthcoming album) that will please you, steel drums massives. you have guessed, this new discodeine ep is a perfect vamos a la playa release. please note that the das glow remix will be an itunes exclusive. the self-titled discodeine album will be released later this year, stay tuned.

the long term, super-productive story of class-act producers phonique and tigerskin continues with the next installment on ladies & gentlemen. over 4 tracks (and one more digital bonus) the pair explore their passionate, freaky and funky sides in this, perhaps the most functional release on the label yet! phonique throws us two hot ones with sandman and longdrink. the former skips through tripping, tooly and percussive territories while the latter goes all out with addictive rolling bass and hedonistic synth passages. marrying an old-school flavour with high-end, modern moments, phoniques side of this unmissable 12inch is just as strong as his legendary dj sets! tigerskin then takes centre stage with loop back in time and tonys riff. >in time< grows from a rolling drum array into a surging disco fueled killer, that whisks us away to a brighter age with its soaring strings!

volume 4 in the wh a t c h awa n n a d o disco edit series features two artists from the new school disco sound that have contributed remixes for the likes of dfa & rong. first up is southern californias wes coats with an african tinged disco groover that will surely tear up dancefloors from london to soweto. the flipside is turned into a 10-minute gospel house/disco anthem by frances blackjoy that will be the perfect closing song for clubs around the world.
>finally there seems to be someone doing some actual a&r work on the re-edit front! those are all solid. havent seen that happen in about 10 years of meaningless re-edit releases!< - dimitri from paris

mr. ho delivers exactly what we want: soulful house music, jacking and funky with kicks directly aiming at our lazy bums! pol_on, known from releases for get physical, connaisseur, mothership and freerange, transform the track into an irresistible builder, made to push all clouds of autumn away to let the sun shine straight into our faces.

superb rework of the classic gypsy kings. a wicked dubby work out that never actually drops into the original. clever!

the kat edit stable pops back up and throws a couple of biggies into the pot ... first up is conscious of my conscience, which shouldnt really need an intro whatsoever. an out and out all ends up classic and a track largely overlooked by the masses when first released on the album conscience back in 88. mr beedle makes this sound bigger than ever with some wicked but subtle extensions & tweaks along the way. on the flip we have time is running out. ashley beedle takes the stevie winwood original, strips it bollock naked and re-dresses this into a wonderful psyched-out disco funk soul rock odyssey masterpiece. over 10 minutes of pure balearic dancefloor goodness, pure n simple. big ! oh, and on a super loud 12 inch pressing..

the first and most important of the four food groups is flapjacks. a great example of this is in bryan jones flapjackin jam low flow. the beats are as thick with butter milk and the bass is fluffy and melts in your ears. the second food group and a perfect complement to the first is syrup. czech republics arco gives us a sugery delight entitled first time, which can be poured or spread over just about everything from toast and flapjacks to spaghetti noodles. this tune has a nice and deep brown maple sound that like syrupy goodness, sweetens up every mix. the third basic food group is eggs, everyones favorite baby animal embryo treat. melbourne, australias house mopper d-t3ch, plucked the perfect egg from his prized chicken with his spoken word groove give & take. in this smooth bumpin scenario, the chicken gives the egg, and d-t3ch takes it and whips it up into a wonder house omelet. the last but certainly not the least of the 4 basic food groups is the bacon. bacon just makes everything better. oregons forrest avery & derty d definitely take the bacon with their super fried, crispy, salty smash hit the perfect beat. this tune does to a club what bacon does to your heart…it clogs dance floors

super limited 12 inch in screen printed sleeve with bing ji ling and barck+prommer remixes ... limited to just 300 copies, pressed on delicious 180 gram vinyl and presented in a silk-screen printed sleeve, >make you mine< is quite the 12 inch to get your hands on this autumn! the opening track of incarnations forthcoming debut album >with all due respect< is a sundrenched balearic bomb if ever there was one. handsome threesome daniel collas, quinn luke (akabing ji ling) and bart davenport soaked up all the good vibes of the tarifa studio on the south-coast of spain, just in front of africa, where the mediterranean sea and the atlantic ocean meet, and transformed them into little over three-and-a-half minutes of pure loving goodness, reminiscent of the 70s west coast sounds among many other things. on remix duties we have christian prommer and alex >jazzanova< barck taking the track into the late night territory with an epic deep-house stormer, while bing ji ling makes those lazy sofa surfers get up and boogie while the sun is setting with a strong ny flavour.

michael boenig who has just released his first 12inch on trapez.michael is a real player on the techno floors in the area around cologne, frankfurt and duesseldorf. a man who can make strong decisions and has simplified the rollercoaster in its original version into a big >peak time< tour de force.

lee holman strikes us down with some seriously deep rooted techno, bombarding us with elements of gabriel and curtin cutting into the mixes.
the first track on the ep is seek, straight forward hypnotic dance floor business elevated by shaking percussion and vocal stab. search hits us straight away with deep detroit feelings shivering and unwinding as the track progresss, you get to see why lee has released on labels such as ferox, fine art and voorns nightvision imprint. found has to be highlighted as one of the must haves on the ep taking us on a journey right from the off. beautifully layered pads mixed with a tight and funked up bass line. berlins mike dehnert hits in with his signature sound of deep late night bass heavy groovin techno, twinkling and making every bone in the body jive to the off beat, a serious ep with serious intention.

when it hits there is no escaping this deeeeeep creepy crawly mind meld. it engulfs you, then sucks you into a womblike state, only to spit you back out onto the dancefloor where youll be jakking your ass off!

killer deep house release on ripperton s perspectiv label. up and coming artist st blomb with a epic building track with a tribal feel to it and an almost cosmic psychelic synth line. one of those tracks that takes things to another level once played at the right moment! soulphiction taking things back to the floor and keep them feet moving by added a warm blanket of chords and lush grooves. and jackmate turns precious soul into a proper dj tool adding some chicago flavors, immediately resulting in raving feedback and chart positions with several key players and german groove magazine. nice one!

hailing from finland, deymare and has been into house/techno music since 1991 from buying his first techno records, going to parties as well as djing. nowadays his focus is on music production.

even the last ep >contemporary box< by christian burkhardt was an exceptional experience for every listener. now, after two years of abstinence on oslo, the gifted artist surprises us with his next album >redford.< on the a side christian burkhardt presents us with >scream< a funky track, in which mainly the vocals let shake the dance floor and draws the audience into his spell. >redford< on the b side stands out with its concise and groovy bass line and stands with its hypnotic sound. an experience for the upcoming club season!